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Renwick Performs ‘Limbo’ Live at Enmore

PRESENTED BY 

Emerging Sydney artist, Renwick (aka Harry Moulston), has been busily building a catalogue of gorgeously layered psych-folk in his home studio for the past few years.

But for his Live at Enmore session, the singer-songwriter and producer stripped back his track, Limbo, to its barest elements.

A delicate yet powerful memoir of regret, Limbo showcases Renwick at his most intimate and vulnerable.

Limbo was Mixed and Recorded by Dan Shaw, Radi Safi, and Owen Penglis

Renwick

For his session, Renwick travelled as light as possible, using just the piano. Playing spaciously, the reverberant chords of Limbo filled the spaces between the vocal phrases, but still left ample room for contemplation.

“I’m basically ripping off those Gymnopedies [by French composer, Erik Satie],” Renwick confessed before the session.“This song’s about someone in the lead up to doing something terrible, hurting someone’s feelings. I think for a lot of people, the days leading up to something are worse than the act itself.”

Check out the performance below:

For more on Renwick, follow him on Instagram.

The Live at Enmore series is made possible with the help of our tech partner Audio-Technica. Here’s a list of the microphones that were used to capture this incredible performance:

Live at Enmore Gear List

For a clean, consistent capture of a dynamic vocal, the AE4100 ticks just about every box.

AE4100

AUDIO-TECHNICA AE4100 


The piano is a complex miking challenge. To capture all that top-end sparkle, we went with the AT4047.

AT4047

AUDIO-TECHNICA AT4047


Completing the picture for the piano were two mics on the rear. For this task, we opted for the robust, yet sensitive, AT4051b small-diaphragm cardioid condenser.

AT4051b

AUDIO-TECHNICA AT4051b