News Pro Audio Engineering the Sound: Chandler LTD TG2 500 by Tammy Moir Today at Noise Machines studio, we’re diving into a legacy-inspired gem: the Chandler TG2 500, a compact version of the rackmount Chandler TG2 preamp If the name sounds familiar, it’s…
News Pro Audio Engineering The Sound: Flock Audio’s CX by Happy Today we are taking a look at the Flock Audio CX, a set of 8 all-analog, digital controlled preamps Flock Audio are a relatively new company in the scope of…
News Pro Audio Warm Audio WA-2MPX: a Very, Very Close Recreation of Revered Vintage Preamps by Owen Penglis We’ve been wanting to play with these for a while: the Warm Audio WA-2MPX, their recreation of Ampex 351 preamps. We took a look at the brand new WA-2MPX. Now,…
Features News Pro Audio Understanding the Channel Strip by Dan Shaw PART 1: Not just the top knob on the channel strip, your selection of preamp is imperative to producing a recording with integrity and tonal individuality. “What do all those…
Features Pro Audio Warm Audio revives vintage classics for a new generation by Dan Shaw Warm Audio has been creating affordable reincarnations of classic studio hardware since 2011. Their mission is to put historic favourites within the reach of the aspiring engineer. This altruistic intent…
Features Pro Audio The channel strip part IV: panning controls and faders by Happy In our final chapter in the channel strip series, we explore the all-important panning controls and faders: the keys tools to create space and dynamics in a mix. If the…
Features Pro Audio Warmth, grit and character: recording keyboards through preamps, reampers and guitar amps by Dan Shaw Recording keyboards through gear like preamps, reampers, guitar amplifiers and via MIDI can impart grit, saturation and warmth to an otherwise lifeless output signal. Recording keyboards should be pretty straightforward, right?…
