Enmore Audio News Mixing goes mobile with Roland’s GO:MIXER PRO-X by Dan Shaw We’ve witnessed the downsizing of the studio to the laptop, but with the GO:MIXER PRO-X, Roland has shrunken it down to the size of a…
Enmore Audio Features Chandler Limited: Abbey Road tones for the modern studio by Borna Crvelin Chandler Limited authentically recreates some of the most revered equipment from EMI Abbey Road, perfecting them for the modern studio. The equipment from EMI Abbey…
Enmore Audio Interviews Daniel Antix discusses constant creativity and the making of a recording paradise by Borna Crvelin Daniel Antix from Sydney’s Def Wolf Studios has a no-nonsense chat with us about what drives him, his varied journey in audio, and the making…
Enmore Audio Interviews Dan Farber on the power of intent and personal connections by Tim McArtney Dan Farber has been working with Tkay Maidza for over six years. They are best friends and that personal connection is key to his success…
Enmore Audio Features Reverb: the evolution from springs to circuits by Borna Crvelin Reverb is pivotal in how we hear sounds and record music. Here’s a snapshot of how the effect has developed throughout the decades. Reverb has…
Enmore Audio Features Roxy Music – ‘Avalon’: Why It Mattered by Max Mahood Powered by an explosion of creativity and experimentation, Roxy Music’s star burned brightly. Let’s have a closer look at the band’s final, groundbreaking record, Avalon….
Enmore Audio Lists Embark on a world tour of 12 iconic recording studios by Borna Crvelin From the world-famous to venues you’ve never heard of – get your backpack on and take a tour of 12 of the most unique recording…
Enmore Audio Features Comping in Ableton Live 11 could be your secret creative weapon by Tim McArtney Arguably the biggest update to Ableton Live 11 is comping. Far from ‘standard’ comping, it very well may become your new favourite creative instrument. Since…
Enmore Audio News How the Blue Yeti came to dominate the home studio by Allegra Short Twelve years after its release, the Blue Yeti is still at the top of its game. It’s a recording staple and has found a place…
Enmore Audio News Would you spend £150 on an Abbey Road paperweight? by Oliver Newland Sick of spending your hard-earned dough on fleshing out your studio with useful gear? Abbey Road now has the paperweight for you. Let’s face it:…
Enmore Audio News Al Schmitt, 20-time Grammy-winning recording engineer, dies at 91 by Emily Suine Cutting his teeth in the golden age of recording, there was nobody more trusted behind the console than Al Schmitt. His passing marks the end…
Enmore Audio Features Tape loops and studio abuse: how The Beatles recorded ‘Tomorrow Never Knows’ by Steven Schouten The Beatles’ Tomorrow Never Knows was a feat of studio wizardry that, in 1966, had seldom been seen before. This is how it was made….
Enmore Audio Features Engineering the Sound: Neil Young’s ‘Harvest’ by Luka Osborne Honest, raw and refined, Neil Young’s emotive fourth studio album, Harvest, was a fresh take on country-rock and to this day remains a classic. Here’s how it…
