The Telecaster is the founding father of Fender’s guitar legacy. The guitar was born from the genius of Leo Fender and through the years, has gone through multiple configurations.
This guide will help you choose the right Telecaster for you by taking a look at the most iconic wielders of the instrument. No matter what genre you’re working in, the Tele is always up for the challenge.
Choosing the right Telecaster can be tricky, so we’ve compiled a list of legendary examples to help you find one that’s perfect for your style.
Since the middle of last century, rock and Telecasters have gone together like bacon and eggs. ‘The Boss’ himself Bruce Springsteen isn’t caught dead without a beautiful Telecaster Standard strapped around his neck. This guitar is the first from Fender and has endured every stylistic change in rock, from the ’50s to today. It was the model that birthed the company and would go onto influence the design for the Precision Bass and the Stratocaster.
The Tele Standard has a timeless tone with its slab body of ash (later alder) and single-coil pickups. The Standard includes a 3-way toggle switch, tone and volume controls as well as the slanted bridge pickup that birthed the Tele’s unmistakable twang.
Other notable players of this model include Jeff Buckley and John Mayer who both took the Standard into the singer-songwriter realm. Similarly, legends like Keith Richards and Jimmy Page have famously sported the Standard from the ’60s onwards.
Above all, the Telecaster Standard is the everyman’s Tele. It covers a lot of ground due to its classic tone and versatility within the expanse of the rock genre.
When talking about Teles the next thought after rock ‘n’ roll is country music. The Telecaster plays an equally large (if not larger) role in the world of country music. Many big-name country-pop idols like Brad Paisley and Kenney Chesney are fiends for a classic Telecaster Standard.
Brad paisley even boasts his own signature model with a custom-wound ’64 Tele bridge pickup for extra western flair. In fact, the idea of modding a Tele is no foreign concept in the world of the country with many players opting for different body woods and pickup modifications.
Even though the Tele Standard is still the go-to choice for country players, Fender’s Thinline Model is what serves up a truly unique country tone. Esteemed artists like James Burton of (Elvis Presley fame) and Jimmy Buffet, favour Telecaster Thinline models. The Thinline is a hollow body variant of the Tele with the same ash body as the Standard. This lightweight version offers a more warm and resonant Tele tone.
Keith Urban is another artist that is known to add another Tele type to the mix, with his Cabronita Telecaster. The name ‘Cabronita’ itself loosely translates to ‘bastard’ from Spanish and perfectly captures its tonal character.
The axe’s Filter-Tron style pickups are responsible for the Cabronita’s unique mid-range response. It features a hard-tail, string-through-body bridge that gives it the feel and response of a Tele Deluxe or Custom rather than the original ashtray-style Tele bridge.
For better or for worse country music is married to the Telecaster’s unmistakable twangy tone. If you’re a country nut at heart then there’s nothing wrong with a classic Telecaster Standard. Alternatively, the hollow body variants give you more versatility for the world of modern country.
Hard and Heavy
After dominating the worlds of rock and country the Telecaster was more than ready to storm the gates of Metal and Punk. In the late 1960s, the increased popularity of heavy rock meant that the Telecaster’s single coils couldn’t match the thick sound and extended sustain of humbucking pickups. As a result, the Telecaster Deluxe was born.
The Deluxe was a Tele variant with two humbuckers, a thicker solid body with two tone and volume controls. The design mimicked that of Gibson Les Paul and included a Stratocaster headstock. Famous players included Fall out Boy’s Joe Trohman who played the model religiously throughout the band’s extensive pop-punk career.
Jim Root of Slipknot is the guitarist who is renowned for defining the Tele as a heavy guitar. Jim Root’s go-to guitar is a HH Telecaster, specifically his signature model. Moving into the home of the heavy meant that the Tele had to undergo a dramatic change and with this came the age of Fender’s HH humbucker models.
Jim Root’s signature guitar features a pair of EMG active humbucking pickups that are responsible for his brutal metal tone. The HH variation would also go onto to be used in models like the Jazzmaster and Stratocaster also.
Soul, Funk and Jazz
Beyond twangy licks and brutal riffs, the Telecaster also knows how to keep it smooth. Prince was the king of funk and his Tele of choice was the Hohner Madcat. This leopard print funk machine was a Japanse knockoff of a Tele Standard.
The Madcat had all the same features as a Standard but included a maple body instead of ash or alder. The proximity of the bridge pickup to the bridge itself produced a unique tone that had the perfect honk for funk. This coincidence caused Prince to fall in love with it and it can be heard all over hits like 1999 and Purple Rain.
On the more soulful side of funk, artists like Steve Cropper of Otis Redding’s band used the Telecaster to add a dash of attitude to the Soul music of the ’70s. His playing can be heard on the iconic opening riff of Sam and Dave’s Soul Man played with his trusty 1963 Telecaster Custom.
Cropper was also known to favour the more obscure Telecaster Esquire. The Esquire is an early Tele variant that includes only one pickup, at the bridge. This design brought out even more of that typical Tele voicing and was also used by Paul McCartney and Syd Barrett of Pink Floyd.
Finally, crossing over to the jazz world, the Telecaster is varied again thanks to Julian Lage. Lage’s Tele is fitted with a standard single-coil pickup in the bridge but opts for a vintage Gold Foil pickup in the neck position. This pickup gives his Tele a smooth, liquid tone with a super clear high-end that’s the hallmark of Lage’s creamy tone.
By looking at the development of the Telecaster through the years, it’s easy to see that certain genres favour certain models. Although this isn’t to say you should stay inside your lane. Modification plays an important role in the history of Telecasters, so experimentation is key for finding the Tele that resonates with you.