Enmore Audio Interviews Daniel Antix discusses constant creativity and the making of a recording paradise by Borna Crvelin Daniel Antix from Sydney’s Def Wolf Studios has a no-nonsense chat with us about what drives him, his varied journey in audio, and the making…
Interviews Music Adam Kneale chats ‘5:21’ and the constant evolution of his sound by Happy Melbourne producer Adam Kneale took five to tell us the story of his latest single 5:21. Full of shimmering disco hooks and buttery grooves, it’s…
Enmore Audio Interviews Dan Farber on the power of intent and personal connections by Tim McArtney Dan Farber has been working with Tkay Maidza for over six years. They are best friends and that personal connection is key to his success…
Enmore Audio Features Roxy Music – ‘Avalon’: Why It Mattered by Max Mahood Powered by an explosion of creativity and experimentation, Roxy Music’s star burned brightly. Let’s have a closer look at the band’s final, groundbreaking record, Avalon….
Enmore Audio Features Comping in Ableton Live 11 could be your secret creative weapon by Tim McArtney Arguably the biggest update to Ableton Live 11 is comping. Far from ‘standard’ comping, it very well may become your new favourite creative instrument. Since…
Enmore Audio Features The subwoofer: getting to know the bottom end of your mix by Tim McArtney What is a subwoofer? Why do you need one? How do you connect it? Come with us on a journey down to the low end…
Enmore Audio Exclusives News UMAMI: NOT A BOYS NAME remixes Annie Hamilton’s ‘Panic’ by Tom Cameron Umami, ‘the fifth taste’, is all about satisfaction. It’s about feeling content at the flavour profile of your dish, a unison of small parts working in perfect harmony…
Enmore Audio News Eddie Johns is still waiting for royalties from a Daft Punk hit by Tim McArtney A homeless man from Los Angeles by the name of Eddie Johns has never been paid his due royalties from Daft Punk’s sampling of his…
Enmore Audio News Al Schmitt, 20-time Grammy-winning recording engineer, dies at 91 by Emily Suine Cutting his teeth in the golden age of recording, there was nobody more trusted behind the console than Al Schmitt. His passing marks the end…
Enmore Audio Features SSL Consoles: the secret weapon of ’80s pop by Claudia Schmidt SSL consoles are the silent force behind so many of the world’s most popular songs, their emergence forever revolutionising the recording process. But why were…
Enmore Audio Features Tape loops and studio abuse: how The Beatles recorded ‘Tomorrow Never Knows’ by Steven Schouten The Beatles’ Tomorrow Never Knows was a feat of studio wizardry that, in 1966, had seldom been seen before. This is how it was made….
Enmore Audio Features Engineering the Sound: Neil Young’s ‘Harvest’ by Luka Osborne Honest, raw and refined, Neil Young’s emotive fourth studio album, Harvest, was a fresh take on country-rock and to this day remains a classic. Here’s how it…
Enmore Audio Features Frippertronics: how Robert Fripp and Brian Eno brought looping to life by Luka Osborne Frippertronics: Ambient tape looping brought to you by Robert Fripp and Brian Eno. It might not sound new, but in 1972 it was. Frippertronics ……
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