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HAPPY

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Tag: production

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Daniel Antix discusses constant creativity and the making of a recording paradise

by Borna Crvelin

Daniel Antix from Sydney’s Def Wolf Studios has a no-nonsense chat with us about what drives him, his varied journey in audio, and the making…

  • Interviews
  • Music

Adam Kneale chats ‘5:21’ and the constant evolution of his sound

by Happy

Melbourne producer Adam Kneale took five to tell us the story of his latest single 5:21. Full of shimmering disco hooks and buttery grooves, it’s…

  • Enmore Audio
  • Interviews

Dan Farber on the power of intent and personal connections

by Tim McArtney

Dan Farber has been working with Tkay Maidza for over six years. They are best friends and that personal connection is key to his success…

  • Enmore Audio
  • Features

Roxy Music – ‘Avalon’: Why It Mattered

by Max Mahood

Powered by an explosion of creativity and experimentation, Roxy Music’s star burned brightly. Let’s have a closer look at the band’s final, groundbreaking record, Avalon….

  • Enmore Audio
  • Features

Comping in Ableton Live 11 could be your secret creative weapon

by Tim McArtney

Arguably the biggest update to Ableton Live 11 is comping. Far from ‘standard’ comping, it very well may become your new favourite creative instrument. Since…

  • Enmore Audio
  • Features

The subwoofer: getting to know the bottom end of your mix

by Tim McArtney

What is a subwoofer? Why do you need one? How do you connect it? Come with us on a journey down to the low end…

  • Enmore Audio
  • Exclusives
  • News

UMAMI: NOT A BOYS NAME remixes Annie Hamilton’s ‘Panic’

by Tom Cameron

Umami, ‘the fifth taste’, is all about satisfaction. It’s about feeling content at the flavour profile of your dish, a unison of small parts working in perfect harmony…

  • Enmore Audio
  • News

Eddie Johns is still waiting for royalties from a Daft Punk hit

by Tim McArtney

A homeless man from Los Angeles by the name of Eddie Johns has never been paid his due royalties from Daft Punk’s sampling of his…

  • Enmore Audio
  • News

Al Schmitt, 20-time Grammy-winning recording engineer, dies at 91

by Emily Suine

Cutting his teeth in the golden age of recording, there was nobody more trusted behind the console than Al Schmitt. His passing marks the end…

  • Enmore Audio
  • Features

SSL Consoles: the secret weapon of ’80s pop

by Claudia Schmidt

SSL consoles are the silent force behind so many of the world’s most popular songs, their emergence forever revolutionising the recording process. But why were…

  • Enmore Audio
  • Features

Tape loops and studio abuse: how The Beatles recorded ‘Tomorrow Never Knows’

by Steven Schouten

The Beatles’ Tomorrow Never Knows was a feat of studio wizardry that, in 1966, had seldom been seen before. This is how it was made….

  • Enmore Audio
  • Features

Engineering the Sound: Neil Young’s ‘Harvest’

by Luka Osborne

Honest, raw and refined, Neil Young’s emotive fourth studio album, Harvest, was a fresh take on country-rock and to this day remains a classic. Here’s how it…

  • Enmore Audio
  • Features

Frippertronics: how Robert Fripp and Brian Eno brought looping to life

by Luka Osborne

Frippertronics: Ambient tape looping brought to you by Robert Fripp and Brian Eno. It might not sound new, but in 1972 it was. Frippertronics ……

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