Features Pro Audio Breaking musical barriers with Ableton Live 11’s MIDI Scales and Chance by Tim McArtney Along with new effects and workflows, there are updates in Ableton 11 that go to the heart of composition. Let’s…
Features Pro Audio Exploring new musical possibilities with MPE in Ableton Live 11 by Dan Shaw MPE (MIDI Polyphonic Expression) has been taking digital music production by storm in recent years. In Ableton 11 it can…
Exclusives News Pro Audio UMAMI: Go Freek remixes Pacific Avenue’s ‘Easy Love’ by Tom Cameron Umami, ‘the fifth taste’, is all about satisfaction. It’s about feeling content at the flavour profile of your dish, a unison of small parts working in perfect harmony…
Features Pro Audio Chandler Limited: Abbey Road tones for the modern studio by Borna Crvelin Chandler Limited authentically recreates some of the most revered equipment from EMI Abbey Road, perfecting them for the modern studio….
News Pro Audio Splice upgrade packs a new drum machine, synth, and enhanced DAW integration by Tim McArtney Splice has just launched a major upgrade. New plans, new synths, tutorials and tighter integration between its features and your…
Interviews Pro Audio Daniel Antix discusses constant creativity and the making of a recording paradise by Borna Crvelin Daniel Antix from Sydney’s Def Wolf Studios has a no-nonsense chat with us about what drives him, his varied journey…
Interviews Music Adam Kneale chats ‘5:21’ and the constant evolution of his sound by Happy Melbourne producer Adam Kneale took five to tell us the story of his latest single 5:21. Full of shimmering disco…
Interviews Pro Audio Dan Farber on the power of intent and personal connections by Tim McArtney Dan Farber has been working with Tkay Maidza for over six years. They are best friends and that personal connection…
Features Pro Audio Roxy Music – ‘Avalon’: Why It Mattered by Max Mahood Powered by an explosion of creativity and experimentation, Roxy Music’s star burned brightly. Let’s have a closer look at the…
Features Pro Audio Comping in Ableton Live 11 could be your secret creative weapon by Tim McArtney Arguably the biggest update to Ableton Live 11 is comping. Far from ‘standard’ comping, it very well may become your…
Features Pro Audio The subwoofer: getting to know the bottom end of your mix by Tim McArtney What is a subwoofer? Why do you need one? How do you connect it? Come with us on a journey…
Exclusives News Pro Audio UMAMI: NOT A BOYS NAME remixes Annie Hamilton’s ‘Panic’ by Tom Cameron Umami, ‘the fifth taste’, is all about satisfaction. It’s about feeling content at the flavour profile of your dish, a unison of small parts working in perfect harmony…
News Pro Audio Eddie Johns is still waiting for royalties from a Daft Punk hit by Tim McArtney A homeless man from Los Angeles by the name of Eddie Johns has never been paid his due royalties from…